Alan Alda Comedy Tragedy Plus Time Netflix to Netflix What Time and You Know What I Should
Sad Movies on Netflix That'll Make You Weep
Grab the tissue box and let information technology all out.
'Stand By Me' | Columbia Pictures
'Stand up Past Me' | Columbia Pictures
While Netflix may have a reputation equally a seemingly space repository of rom-coms and generally mediocre original movies, sometimes you're in the mood for a good cry. When that feeling hits you lot, sit downwardly with 1 of these tearjerking dramas, which range from deadly serious to schmaltzy and uplifting—something for everyone.
Besides READ: Our curated guides to the best teen movies on Netflix and the most romantic movies on Netflix
All the Bright Places (2020)
Based on the international bestselling young developed fiction novel by Jennifer Niven, All the Bright Places tells the story of high school students, Violet (Elle Fanning) and Theodore, who likes to go by his last name, Finch (Justice Smith), both of whom are suffering from mental illness acquired by trauma in their pasts. It's a tender love story, growing from ii broken people who, together, brainstorm the process of healing. The film is both gentle and heartbreaking, and a rare entry in the excess of teen Netflix originals that truly tries to handle mental health with intendance.
Awakenings (1990)
It's very possible you watched Awakenings once in high school biology and found yourself vehement up at the dorsum of the class. The Penny Marshall-directed drama is loosely based on neurologist Oliver Sacks' memoir, virtually a doctor (Robin Williams) in the Bronx in the '60s who works with patients who accept developed catatonic conditions post-obit the encephalitis lethargica. When he realizes what stimuli they respond to and how they communicate, he begins testing a drug to treat Parkinson'due south on ane patient named Leonard (Robert De Niro), who miraculously seems to "awaken." With the long-term effects unclear, a human test subject at the center, and two powerhouse atomic number 82 performers, you lot've got to await yous're going to into a heart-wrenching tearjerker with this ane.
Beasts of No Nation (2015)
Cary Fukunaga's (True Detective, Maniac) wartime drama is not a film you put on in the background. Adapted from Uzodinma Iweala'south novel of the same name, this visceral grapheme study tracks a preadolescent after he's recruited to be a kid soldier in an African ceremonious war (its specifics are left purposefully ambiguous). Lorded over by a gruff commander (Idris Elba), the flick is loud, tender, and fierce—a coming-of-age story in which the characters may not live to come up of age.
Large Fish (2003)
Albert Finney stars as Edward Bloom, a dying fabulist struggling to connect with his estranged son (Billy Crudup), and a grinning Ewan McGregor plays the younger version of Bloom as an hostage and wonderstruck adventurer. A mermaid, a werewolf, and a tender-hearted giant pop up as well. Despite all the wild creatures, Large Fish is mayhap managing director Tim Burton'south simplest and most emotionally direct movie, an sometime-fashioned tearjerker tricked out with fanciful special effects, quirky performances, and one of Danny Elfman'south best scores. It tugs at the heartstrings with studied precision.
Vivid Star (2009)
Jane Campion (The Pianoforte, The Power of the Dog) gives the life of English poet John Keats, and his romantic relationship with Fanny Brawne that fueled his writing up until his untimely decease at the age of 25, the pastoral treatment it deserves. Between the succulent photography, delicate score, and Ben Whishaw and Abbie Cornish'due south hushed poetry readings, Bright Star is a beautiful tragedy, and one of the most unsung dramas of the 2000s. As Keats says in the movie, "The bespeak of diving into a lake is not immediately to swim to the shore only to be in the lake, to luxuriate in the awareness of water. You do non work the lake out, it is a feel beyond thought." Bright Star is a lake of a movie.
Love John (2010)
First things start, Love John is named after a Dear John letter, or what yous would transport a man to dump his ass, and so as you tin approximate, this is the sappiest of Nicholas Sparks' oeuvre. The drama hits all of the marks of a stereotypical romance movie, starring Channing Tatum as a solider living with his reclusive father (Richard Jenkins) while he'due south home from state of war and Amanda Seyfried every bit the do-gooder college educatee he falls for under the warm Due south Carolina sunday, but at that place are enough passionate kisses in the rain to brand all the melodrama worth information technology.
The Florida Project (2017)
Sean Baker'due southThe Florida Projection nuzzles into the swirling, sunny, strapped-for-cash populace of a mauve cabin simply within orbit of Walt Disney Globe. His eyes are Moonee, a 6-year-old who adventures through abased condos, along strip mall-encrusted highway, and across verdant fields of overgrown castor like Max inWhere the Wild Things Are. Only as gorgeous every bit the everything appears—andThe Florida Project looks stunning—the globe around hither is falling apart, outset with her mother, an ex-stripper turning to prostitution. The juxtaposition, and down-to-earth mode that includes footage shot on an iPhone, reconsiders modern America in the well-nigh electrifying mode imaginable.
Girl, Interrupted (1999)
Multiple members of this ensemble requite some of their career-best performances in this drama, from leads Winona Ryder and Angelina Jolie to supporting cast members similar the late Brittany Potato. Based on Susanna Kaysen's memoir, which Ryder attempted to buy the rights for and became a passion project of hers, the sobering flick chronicles a immature woman'southward 18-month stay at a psychiatric hospital in the late '60s after a suicidal episode. As she'southward surrounded by myriad women who are seemingly dealing with more than intense conditions, Girl, Interrupted makes for a compelling portrait of the varied only valid degrees of sadness and pain in young women.
Into the Wild (2007)
Jon Krakauer'due south book almost the life and untimely expiry of Christopher McCandless is all the more than poignant when soundtracked by Eddie Vedder. Emile Hirsch's McCandless waxes poetic almost philosophy and alienates everyone who loves him, which can grate at times, but it's balanced out by the profound beauty of the wilderness. When McCandless' pride proves to be the ultimate peril, the effect is no less tragic.
Les Misérables (2012)
Tom Hooper'southward adaptation of Les Misérables is a glorious spectacle in bringing stage to screen—one that's earnestly flooded with emotion. Set confronting the anti-monarchist June Rebellion of 1832, the ballsy follows the redemption story of Jean Valjean (Hugh Jackman) who was imprisoned for stealing bread and, once freed, volunteers to await after the daughter of a mill worker (Anne Hathaway) equally he continues to run from the ruthless officeholder Javert (Russell Crowe) later on breaking parole. Even those who roll their optics at musical, specially sung-through ones, volition be impressed past this explosive period slice and each fellow member of its scene-stealing ensemble. It's a blockbuster through and through.
Loving (2016)
Loving brings one of the most pivotal honey stories in history to the screen. The biographical drama from Jeff Nichols tells the story of Mildred and Richard Loving, the couple who challenged state laws banning interracial marriage all the way to the supreme court with the landmark case Loving v. Virginia. For existence such a sweeping romance with so many groundbreaking implications, it'southward the gentle, muted manner information technology's told in this historical film nestles into your heart. From Joel Edgerton'due south hushed performance as the distant but caring Richard and Ruth Negga's thoughtful simplicity to Mildred to Nichols' warm direction, information technology finds a quiet profoundness that makes it all the more beautiful.
Wedlock Story(2019)
Similar his 2005 moving pictureThe Squid and the Whale, writer/director Noah Baumbach again finds laughter and pain in the often excruciating personal details of ending a relationship. This time, the bickering couple—a Brooklyn-dwelling actress and a theater manager played with tenderness and anger past Scarlett Johansson and Adam Driver—takes heart stage. Instead of watching the two fall in and out of love, the story opens with the separation already in motion, allowing Baumbach to focus on the soul-sucking, money-draining legal shitstorm that follows. While Driver and Johansson are both splendid in tricky, emotionally enervating roles, some of the sharpest moments come up courtesy of their attorneys, collaborators, and extended families. (Laura Dern and Alan Alda rightfully earned praise for their parts, but Ray Liotta's gruff divorce skilful deserves his own spin-off.) In showing how divorce ripples outward,Marriage Story complicates its ain unproblematic premise as it progresses.
The Meyerowitz Stories (New and Selected) (2017)
When Danny (Adam Sandler), Matthew (Ben Stiller) and Jean (Elizabeth Marvel), 3 half-siblings from three different mothers, gather at their family unit brownstone in New York to tend to their ailing male parent (Dustin Hoffman), a lifetime of familial politics explode out of every minute of conversation. Their narcissistic sculptor dad didn't take time for Danny. Matthew was the golden child. Jean was weird... or possibly disturbed past memories no 1 ever knew. Expertly sketched by writer-managing director Noah Baumbach, this memoir-like portrait of lives half-lived is the kind of bittersweet, dimensional character comedy we're now used to seeing told in 3 seasons of prestige television. Baumbach gives us the whole package in two hours.
My Daughter (1991)
It's been 30 years sinceMy Girl, and if you lot don't already know what happens: Our sincerest apologies, your heart is about to exist destroyed. The movie about a girl (Anna Chlumsky) growing up in a funeral domicile with her widowed father (Dan Aykroyd) is as sweetness as a popsicle on a hot summer day, and a compelling story most the throes of adolescence. Chlumsky and a teeny, tiny Macaulay Culkin are ambrosial as Vada Sultenfuss and Thomas J., and their chemical science as all-time friends from down the cake but makes the inevitable tragedy that much more painful. (Unless you lot're heartless, it's impossible non to cry when Vada shouts, "He tin't encounter without his glasses!") My Girl will bring y'all back to those raw, 12-year-onetime feelings.
Mudbound (2017)
The Southward'south post-slavery existence is, for Hollywood, mostly uncharted territory. Director Dee Rees rectifies the overlooked stretch of history with this novelistic drama nearly two Mississippi families working a rain-drenched farm in 1941. The white McAllans settle on a muddy patch of land to realize their dreams. The Jacksons, a family of black sharecroppers working the land, take their ain hopes, which their neighbors manage to nurture and curtail. To capture a multitude of perspectives, Mudbound weaves together specific scenes of daily life, vivid and memory-like, with family member reflections, recorded in whispered vocalization-over. The epic patchwork stretches from the Jackson family dinner table, where the youngest daughter dreams of condign a stenographer, to the vistas of Mississippi, where incoming storms threaten an essential batch of crops, to the battlefields of World State of war II Germany, a harrowing scene that will affect both families. Confronting race, class, war, and the possibility of unity, Mudbound spellbinding drama reckons with the past to understand the nowadays.
Other People (2016)
Other People was a deeply personal film for screenwriter/director Chris Kelly (SNL, The Other Two) to make. Resembling his ain feel dealing with the death of a parent, the dramedy examines the human relationship between a struggling comedy writer named David (Jesse Plemons) and his mother Joane (Molly Shannon) equally he moves back home to be closer to his family unit while she'due south dying of cancer. With David'south down-on-his-luck state of affairs and having to face strained relations with his homophobic father on top of Joane'due south final fate, the film is meant to tear your middle out—and that'south exactly what Shannon does in her sublime, moving performance. Its funny moments and intimacy of the leads' relationship, as well as the personal experience its derived from, make this picture all the more than accurate and a lovely piece well-nigh loving the family we've got.
Roma (2018)
Alfonso Cuarón's blackness-and-white passion project seeks to stun. A technical craftsman of the highest order, theChildren of MenandGravity director has an aesthetic that aims to overwhelm—with the amount of extras, the sense of despair, and the abiding whir of exhilaration—and this autobiographical portrait of kind-hearted maid Cleo (Yalitza Aparicio) caring for a family in the early on 1970s has been staged on a staggering, mind-boggling scale. Cuarón'south artful pans aren't merely layered for the sake of complication: He's often placing unlike emotions, historical concepts, and class distinctions in conversation with each other. What are these different components in the painstakingly composed shots really saying to each other? That remains harder to parse. Still, there's an image of Cleo and the family eating water ice foam together after a devastating dinner in the foreground while a wedding ceremony takes identify in the background that yous won't exist able to milk shake. The motion picture is filled with compositions like that, tinged with careful ambivalence and unresolvable tensions.
The Shawshank Redemption (1994)
This classic moving picture adaptation of a Stephen Rex story tracks ane man'south lifetime prison sentence for a law-breaking he didn't commit. Andy (Tim Robbins) keeps his head upwards despite his predicament, and overcomes the odds of life in the slammer with help from his buddy Blood-red (top Morgan Freeman). A tale of inspiration and, of form, redemption for the ages.
Silver Linings Playbook (2012)
Jennifer Lawrence, Bradley Cooper, and David O. Russell'due south first collaboration—and the moving picture that turned J-Law into a bona fide gold girl—is a romantic one-act/dramedy/dance-motion-picture show that bounces beyond its tonal shifts. A love story between Pat (Cooper), a man struggling with bipolar disease and a history of fierce outbursts, and Tiffany (Lawrence), a widow grappling with low, who come up together while rehearsing for an amateur dance competition, Silverish Linings balances an emotionally realistic depiction of mental affliction with some of the all-time twirls and dips this side of Footstep Up. Fifty-fifty if you're allergic to rom-coms, Lawrence and Cooper's winning chemistry will win you over, as will this sweet trivial gem of a film: a experience-good, affecting dearest story that doesn't experience contrived or treacly.
6 Years (2015)
Breaking upward is hard to do. It'southward the subject of Hannah Fidell'due south understated 6 Years, which closely examines a human relationship falling apart, focusing on a couple played past Taissa Farmiga and Ben Rosenfield, who accept been together the entirety of their young adult lives. Every bit a character study of the two together and apart, the motion picture is extremely mundane, only their powerful performances make the piece-of-life concept something fierce and worth watching. It starts past breathing the freshness of a first love, but comes to exhale zippo but a volatile violence that will leave you lot feeling suffocated.
Stand By Me (1986)
Although yous may not have been aware that Stand By Me is based on Stephen King's novella The Torso, information technology's undeniably the all-time King film there is. Decades after its release, it remains as equally affecting, heartbreaking, and entertaining. A writer recalls a time from his childhood involving his best friends and the rumor of a expressionless torso downward by the railroad tracks, and while the picture's almost the art of writing and the importance of retentivity, managing director Rob Reiner brings the characters so perfectly to life that it becomes a beautiful reminder of our ain triumphs and tragedies from our youth. There'southward a very good chance you'll run into yourself or someone you lot knew in this moving picture, and the memories information technology dislodges tin can exist unexpected gifts.
Stepmom (1998)
Stepmom is the ultimate tearjerker—the kind where you don't know what character to feel the virtually sympathy for considering everybody is going through it in one way or another. Susan Sarandon and Julia Roberts star as Jackie and Isabel, the ex-wife and new younger-girlfriend-turned-fiancé to Ed Harris' Luke. The ii can't stand each other, Isabel doesn't concur with how Jackie parents her kids, but the kids (including a preteen Jena Malone) aren't warm with her anyhow, and to make matters especially tragic, Jackie is terminally ill with cancer. While information technology all seems similar a lot, it'due south a family drama that'south basically meant for Sun afternoon, heartwarming motion-picture show marathons with its starpower and autumnal New England backdrop. Observe some blankets to wipe your tears with and relish.
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